
Dev is the son of a rich industrialist. He is packed off to London by his strict father who senses his growing fondness with Paro , a girl from a less affluent family than theirs. When Dev comes back from London now as a grown up youth, his love for his childhood sweetheart is in fact much multiplied. But he is not allowed to marry her because of differences in cast and status. While Dev is sent to Delhi, Paro is married off to a rich but aged widower who has kids. Not one to take on responsibilities for his acts Dev digs deep into drugs and alcohol for salvation. He stays away from home but his finances still come from a doting father.
An escapist instinct and a massive ego leads him into an aimless search for lost love that pushes him further into an abyss of darkness and hopelessness soaked in self pity. During these times he meets a prostitute Chanda . What follows next in Dev’s journey towards self destruction forms the rest of the plot!
Some Scenes make their debut to Indian Cinema.Take the scene in which an eager young man shows up at the doorstep of Debbie . The eager beaver has even been tested for HIV, he’s clean, no problems, he can’t wait. Excellently written and shot. Or take the scene of Debbie switching to Tamil and French to satiate a phone-sex customer.
There are a lot of levels on which Dev D succeeds. As a work of cinema it is cutting edge- the sound design, a soundtrack that gets the beat of a generation right, the reworking of the Indian musical genre to give it a contemporary and universal appeal and significance, savoury dialogues, visuals balanced deftly between the real and surreal, honest, evocative and satiating at once, a very involved camera and a slickness that is utterly charming only because it does not compete for attention from the heart of it all.
Finally, believe it or not, Dev D is a lot of fun (some scenes might play out after the film and make you laugh for days even!), only without offending the intelligence. Not an ounce of aforementioned urban or intellectual angst weighs on its breezy watchability. It is unusually accessible from everywhere. With a warm sense of humour that changes various shades of irreverence and black, Anurag Kashyap puts forward a case for his generation. It will be ironic if his film doesn’t get a fair one. It deserves to because beyond the ever-open debate of good and bad, it is honest.






